caseymongoven.com

Writings

Publications

Acoustic Gestalt: On the Perceptibility of Melodic Symmetrywith Claus-Christian Carbon
Musicae Scientiae (March 2016, Vol. 20, No. 1)
Andreas Werckmeister's Musicalische Paradoxal-Discourse (1707)
Lompoc: Casey Mongoven, 2016
Andreas Werckmeister's Cribrum musicum (1700) and Harmonologia musica (1702)
New York: Pendragon Press, 2013
Sonification of Multiple Fibonacci-Related Sequences
Annales Mathematicae et Informaticae 41 (2013): 175–192
An Experiment in the Aesthetic Value of Sonified Mathematical Objects (dissertation)
Ann Arbor: ProQuest/UMI, 2013
Johann David Heinichen's Gründliche Anweisung (1711)with Benedikt Brilmayer
New York: Pendragon Press, 2012
Musical Composition with Zeckendorf Representationswith Ron Knott
Aportaciones Matemáticas Investigación 20 (2011): 199–216
A Style of Music Characterized by Fibonacci [Numbers] and the Golden Ratio
Congressus Numerantium 201 (2010): 127-138

Other Writings

Max Binary Fibonacci Reps Density no. 6 - An Experiment in Spatialization (2007)
Discusses compositional process and instrument construction in Max Binary Fibonacci Reps Density no. 6.
Notation in Collection III (2006)
Explains the basics of notation in Collection III.
The Notation of Collection II (2005)
Explains the basics of notation in Collection II.
A Guide to My Notation (2004)
Explains the basics of notation in Collection I.
My Music, for Non-Musicians (2004)
A relatively simple essay discussing my music and notation with explanation of a musical example.
On the Historical Performance Movement (2002)
Briefly discusses the controversy that surrounded the historical performance movement.
Fibonacci Pitch Sequences: Beyond Mod 12 (2001)
Second essay exploring some properties of Fibonacci pitch sequences in 24-tone, 19-tone and other equal temperements.
Fibonacci Pitch Sequences (2000)
A theoretical essay on the musical and mathematical properties of Fibonacci pitch sequences in twelve-tone temperament.

In German

Die Notation der Collection III (2006)
Explains the basics of notation in Collection III.
Zum Study in Fibonacci Pitch Class Sequences no. 4 (2006)
Discusses the piece and compositional process.
Zur Komposition Vertical Para-Fibonacci Sequence no. 22 (2006)
Discusses the piece and compositional process.
Zu den Base Phi Representations: Base Phi Minimum Binary, Base Phi Maximum Binary (2006)
Discusses the piece and compositional process.
Fibonacci-Tonfolgen: Über Mod 12 hinaus (2001)
Second essay exploring some properties of Fibonacci pitch sequences in 24-tone, 19-tone and other equal temperements.
Fibonacci-Tonfolgen (2000)
A theoretical essay on the musical and mathematical properties of Fibonacci pitch sequences in twelve-tone temperament.